European News Agency, 27.09.2023, Nadejda Komendantova

Miameide - Silent Sister. Jugendstiltheater [ENA] | Bezirkszeitung (deutsche Übersetzung)

Today I would like to share with you an extraordinary experience which I recently had. Honestly, I believe you simply must partake in! It's a fantastic cultural event that took place at the Jugendstiltheater am Steinhof, an architectural gem nestled within the historic confines of a former mental hospital. The spectacle in question was none other than the opera "MiaMeide"!

As I sit down to pen this letter, my mind is still ablaze with the vivid memories of that wonderful evening. I have been a huge fan of the performing arts for many years, attending countless operas, plays, and ballets, but "MiaMeide" stands head and shoulders above the rest, and I genuinely believe it is an experience you should not miss. The Jugendstiltheater am Steinhof is, in itself, a sight to behold. The Jugendstil architectural style, a striking manifestation of the Art Nouveau movement, lends the theater an air of exceptional elegance. It's a masterful blend of form and function, where architectural beauty marries seamlessly with the purpose of the space.

The fact that it is situated within the grounds of a former mental hospital adds an intriguing layer to its history, evoking a sense of both nostalgia and reverence. Now, let me delve into the heart of the matter—the opera itself. "MiaMeide" offers a profound exploration of contrasting worldviews: the stifling world of bureaucracy versus the world of a person who embraces nature as an equal partner in life's intricate dance. The characters who embody these worldviews are portrayed with such vividness and depth that it's impossible not to be moved.

The clerks, portrayed by Romana Amerling, Benjamin Boresch and Johann Leutgeb, are nothing short of magnificent. Their performances are a testament to the brilliance of the cast, making the behavior of these bureaucrats on stage not only recognizable but alarmingly realistic. I found myself nodding in agreement, for I daresay we've all encountered such individuals at least once in our lives. But the true heart of the story lies with Mia, portrayed by the exceptionally talented Johanna Krokovay. Mia's character is a symphony of emotions—eliciting sympathy, self-compassion, and, above all, admiration for her courage to be herself in a world that values conformity.

It's a portrayal that resonated deeply within me, and I believe it will do the same for you. Her journey is nothing short of inspiring, and you will find yourself rooting for her every step of the way. Now, let us talk about the production's visual marvels. Against the backdrop of the stage, a mesmerizing animation unfolds—a living tapestry of growing plants. Julia Libiseller and Germano Milite, the creative geniuses behind this animation, have conjured something truly remarkable. At first, the plants are timid, fearful, and resistant to their own growth—a reflection of the human condition, perhaps.

But as the narrative unfolds, these plants undergo a breathtaking transformation, mirroring Mia's own journey of self-discovery and growth. The effect is nothing short of overwhelming, drawing you into a world where nature and humanity are intrinsically linked. It's here that the opera imparts a profound message—one that struck a chord with me. The unchecked growth of the plants serves as a metaphor for the consequences of humanity's aggressive and thoughtless treatment of the environment. It's a poignant reminder of the havoc we can unwittingly wreak upon the natural world. The opera's exploration of this theme is not just timely but a stark wake-up call for all of us to reflect on our relationship with nature.

But let me assure you, my dear friend, that "MiaMeide" is not just a lecture on environmental responsibility. It's a captivating, thought-provoking, and deeply moving experience. The production's ability to seamlessly weave together powerful themes, exceptional acting, and stunning visual effects is nothing short of astounding. And then there's the music—a vital component of any opera. The music in "MiaMeide" is nothing short of innovative and intriguing. It complements the narrative beautifully, evoking a range of emotions that will leave you spellbound. It's a testament to the creative genius of the composer and the orchestra, who breathe life into every note, adding another layer of enchantment to the performance.

In conclusion, my dear friend, I implore you to seize the opportunity to witness "MiaMeide" at the Jugendstiltheater am Steinhof. It's a production that not only entertains but elevates the soul. It's a cultural experience that will stay with you long after the final curtain falls. I genuinely believe that you will derive immense pleasure from what you see, hear, feel, and empathize with the main character, Mia. It's a journey of self-discovery and a profound exploration of our relationship with the natural world—an experience that promises to be unforgettable!

Andere Kritiken